Monday, 18 May 2020

Sentinel Trees - Urban Tree Festival 2020

Sentinel Trees is an exhibition of miniature art works from 13 artists and 9 authors.
It is part of the Urban Tree Festival 2020.

Trees are Sentinels, guarding and sheltering, standing silently for centuries as our busy lives rush along. Due to the current COVID restrictions and in keeping with the Urban Tree Festival the Sentinel Trees exhibition has been moved online. The art works have all been exhibited in bonsai trees alongside writing inspired by the art pieces.

I was asked to write two pieces for this exhibition and my first one has been exhibited today on a Forsythia bonsai and accompanies the work of legendary London Group artist Bryan Benge. If you don't know his work then please take the time to view his disturbing and evocative short films.

When you wake up early out of habit
You look between the curtain at the night

You still dream of synthetic leaves
Streetlight thieves and foxes that move between
Shadows swimming in the light

When you close your eyes I hear you breathing
Electric sigh a dear friend inside the dark

You still dream of synthetic leaves
Microchip trees and screens that blink at me
Glow green before I hear the lark

Monday, 2 September 2019

groving: Resistance in Bury St Edmunds

It is coming to the end of the summer holidays and a certain dread starts to creep onto me as I think of the return to school. The dread is not consigned to packing lunches and dropping off children at the gates but also a seeping fear that edges into all aspects of life here in the UK. I have never thought of myself as a 'foreigner' and I will always fight to be part of my community here. Groving, the new exhibition by Barbara Dougan, is one of those activities that brings me closer to artists and writers, that glues me into a sense of my community. It is partly about fighting back personally, but more about resisting together.

Yesterday Barbara placed a public art piece by Chris Brown on the streets of Bury St Edmunds.
I wrote some words about it.

Poppin' pills is the kowtow
Ride the hills we all know
Eat them on a Sunday
More again on Monday
Highs lowkey at the freak show
My Mum says it’s a no-no
But she’s just jumpin’ on her coco
We’re kickin', we’re shakin', more tremblin'
Don't be lost kin, cos’ we dyin', soon fryin'
Anything can happen at the freak show

High town, you got a big bung like a number one
It's freak night, one big freak show
If you feel like a roll, I found this place where
Poppin' pills is the love we know

Have a look at the other work on display around Bury St Edmunds by visiting

Tuesday, 12 March 2019

Tolworth Tongue: A poem for Sam

I'm building a tower to rise like our dreams
So the argh of our hopes can drape from the top
Fly the flag chaps that are more than red crosses
Raw tongues that will tick to a scream
Tolworth I love you!

Saturday, 9 February 2019

Love Tokens and Bad Pennies

Last year I got involved with CollectConnect's Small World Futures project around London Bridge. This year I'm really chuffed to be invited back for their latest street art intervention Love Tokens and Bad Pennies. It's a cool exhibition that appeals to my sense of fun, freedom and fluidity. It's given me the chance to connect with some wonderful artists and has challenged me with its different themes and subject matter.

My first piece has been published today alongside Bryan Benge's bad penny in Walthamstow. Bryan is a legend of the UK art scene, a man who does so much thinking and creating behind the scenes (even though he's a member of one of the most influential art collectives in the London Group). Please keep reading the CollectConnect blog to see more of my words alongside some wicked artworks.

Friday, 20 January 2017

Visual Poetry Exhibition : Museum of Futures

Recently I've been interested in experimenting with Algorithmic Poetry. Last month I had my first poem published on the Poetry WTF?! website. It was based on Rudyard Kipling's If and used a set of simple rules to reconstruct a new poem using Google.

Algorithmic approach: Type line of original poem to seed search engine.
Stop typing before predictive line reverts to original.
Use the predicted line.
Do this for each line in original poem.

I'm really pleased that I will be exhibiting a new version of this work as a visual poem at the Museum of Futures in February 2017. I have once again taken If as my starting point and interestingly the algorithmic system has already created another variation despite only a month passing between Google searches. The new poem is called Goggle If and depicts all the search boxes that helped create it.

detail, Goggle If
Museum of Futures: Visual Poetry Exhibition
February 23rd to March 12th 2017
117 Brighton Rd, Surbiton KT6 5NJ

Over two dozen poets and artists local or connected to the Surbiton or Kingston area, present brand new works especially made for this group exhibition. Exploring the visual and material properties of language through concrete poems, abstract painting, asemic writing and many other avant-garde techniques, this exhibition aims to bring together generations, and methodologies, through a shared engagement with the participants localism.

With new works from Imogen Abed / Ed Arantus / Tim Atkins / Adam Baron / Molly Bergin / Susie Campbell / Sarah Dawson / Thomas Duggan / SJ Fowler / Lucy Furlong / Penny Goring / Mark Harris / Megan Haycock / Imo Jeffes / Dean Kenning / Yessica Klein / Olga Kolesnikova / Julia Lewis / Dacy Lim / Hannah Lowe / Cleary Mallard / Raif Mansell / Matthew Navey / Albert Pellicer / Zoe Radford / Virna Teixeira / Simon Tyrrell with more to be announced.

Partnering with the Museum of Futures - a dynamic community arts space that has engaged Surbiton residents, families and businesses since 2015 and curated by The Community Brain CIC, the exhibition aims to showcase early career poets and artists alongside more experienced practitioners and build on the community, beginning new relationships and collaborations, that already surround this wonderful venue. The engagement with themes of suburbia, the Seething mythos and the humour so prevalent in the Museum of Futures enterprise will undoubtedly also influence the exhibition's aesthetic.

There will be an event to launch the exhibition: A night of collaborative poetry readings on February Thursday 23rd, full of newly commissioned collaborations readings
Curated by SJ Fowler with assistant curators Megan Haycock, Molly Bergin, Olga Kolesnikova, Dacy Lim and Matt Navey.

Wednesday, 21 December 2016

Poetry WTF ?! If

I've always been interested in reading, books and libraries, it is one of my greatest pleasures outside of my children and gambling. I haven't had much time to make art this year, but have snatched an hour a week to help out on the UK Chapbook Chart website. Each chart run-down introduces me to a new author or chapbook and over the past few months I've discovered the poetic work of the Combed Thunderclap. His/her/their work sits, cut and spliced in Issue #1 of the Poetry WTF?! chapbook.

Poetry WTF?! immediately appealed to the discordant nature of my life. In my mind over any normal day I deconstruct and stick life back together like an ugly Lego model. On the site there are a range of categories (Remix Poetry, Sculpture Poems, Mutated Poetry, Neon Light Poetry and Algorithmic Poetry) that any writer can apply themselves to and submit.

The gambler in me was attracted by Algorithmic Poetry and I set up a framework to play a game of poetry. My rules looked like this...
Type line of original poem to seed search engine.
Stop typing before predictive line reverts to original.
Use the predicted line.
Do this for each line in original poem.

After a few rolls of the dice I found the perfect poem for my game was Rudyard Kipling's If.
Read it here on the Poetry WTF?! website.
One of things I like about this approach is that I will be able to re-type the poem each year, or from different locations and a new poem should materialise.

I see from Amazon that Issue #2 of Poetry WTF?! chapbook is ready to be released and I'm obviously excited about getting my hands on a copy.
Next for me is an experiment with film dialogue and speeches using the same algorithmic method.

Where one step before
I'm Spartacus
I'm sorry I haven't a clue.


Sunday, 17 January 2016

Papergirl Bristol - Paperboy mystery

Papergirl Bristol are at it again. I'm contributing one of my artworks to their brilliant exhibition and delivery route throughout Bristol. I was very much inspired by their poster as I am a keen collage artist myself.

Every month the dad of an old friend comes round with his old RA and Tate glossy magazine. It is a strange relationship between us as I see Keith (the dad) far more than my old friend Matthew. I cannot afford to be a 'friend' of one of these institutions and it is rare for me to be able to justify a trip into London with the rise in Travelcard prices. So I recreate these exhibitions in my own home here in the suburbs.

My artwork is called Mystery, and it includes a Rothko and a Hepworth within it.

17th January 2016