Showing posts with label Ed Arantus. Show all posts
Showing posts with label Ed Arantus. Show all posts

Friday, 14 August 2020

Silver Spoon exhibition - Groving

Henry Driver
Henry Driver

I'm hugely exhibited about taking part in this new public art exhibition. It is part of the Groving initiative of Barbara Dougan who I exhibited with last year in the Acts of Resistance exhibition. With galleries and Arts funding proving to be even more elusive and elitist because of COVID we need these new bright exhibitions to reach the public on their own doorstep.

One specially commissioned artwork will appear in a public space each day from 14 August to 28 August in the Suffolk town of Bury St Edmunds, UK as part of the wonderful Silver Spoon exhibition. Enjoy seeking it out within the circled area, leave it for someone else to find, or take it home. Check out all the latest http://www.groveprojects.org/blog 


Artists
Alban Low, Rod Bugg, Alison Carlier, Henry Driver, Dean Reddick, Sandra Lane, Deborah Pipe, Jacquie Campbell, Julia Manheim, Sarah Sabin, Barbara Dougan, Amanda Loomes
Writers
Ed Arantus, Kevin Acott, Lynda Turbet, Lynn Whitehead, Phil Barrett, Natalie Low, Sue Burge, Tim Welton, David Dougan, Deborah Bowkis

Today's artwork is by Henry Driver. I wrote the words to accompany it.

You watched me under the microscope; I know you did

With a snake eye glance like I've never seen, you took me in

Like a petri, parcel, package, like a dream

You didn’t notice my beauty, no connection, and I

Wasn't looking for you to rescue me

I wondered just which part of me you wanted

I hope you realize I’m not all sweet, all things nice, with spice

 

You see me under glass, all made up, your fantasy

And it's the lazy way, I’m more than a money tree

Because even white snow fades

Like dirty socks, don’t throw me away

I’m not just a pretty cross section

All torn out, worn and left behind

So I won't be sad if you change your mind 


Silver Spoon

Bury St Edmunds is dominated visually by the sugar beet factory, which contrasts boldly with the medieval grid and interesting mix of historic buildings that make up the core of the market town. The ‘beet’ also makes its presence felt through the distinctive smell and plumes of vapor during processing.

The factory at Bury St Edmunds started operations in the 1920s, and has been processing sugar beet grown in Suffolk, Norfolk and Cambridgeshire ever since, linking the town inextricably with it’s rural hinterland. During 1973, the Bury sugar beet factory became the largest in Europe when two new silos were built. The refinery processes beet from 1,300 growers – 2 million tonnes – into 320,000 tonnes of sugar per annum. It’s common to see beets, like lumpen severed heads, rolling on the road when 660 lorry-loads of beet are being delivered on average each day. 

In 1972, ‘Silver Spoon’ was launched as the retail brand name of British Sugar, selling granulated, caster, cubed and icing sugar. British Sugar now has 4 factories, down from 18, but can still produce as much sugar. It has recently faced challenges including major market Tesco switching to a sugar producer in China, and the campaign to reduce sugar consumption in the face of rising obesity and diabetes.

​And the phrase ‘silver spoon’ can have completely different connotations. Before the place setting became popular around 1700, people brought their own spoons to the table, carrying them in the same way that people today carry wallet and keys. In pre-modern times, ownership of a silver spoon was an indication of social class, denoting membership in the land-owning classes.

Saturday, 9 February 2019

Love Tokens and Bad Pennies

Last year I got involved with CollectConnect's Small World Futures project around London Bridge. This year I'm really chuffed to be invited back for their latest street art intervention Love Tokens and Bad Pennies. It's a cool exhibition that appeals to my sense of fun, freedom and fluidity. It's given me the chance to connect with some wonderful artists and has challenged me with its different themes and subject matter.

My first piece has been published today alongside Bryan Benge's bad penny in Walthamstow. Bryan is a legend of the UK art scene, a man who does so much thinking and creating behind the scenes (even though he's a member of one of the most influential art collectives in the London Group). Please keep reading the CollectConnect blog to see more of my words alongside some wicked artworks.

Friday, 20 January 2017

Visual Poetry Exhibition : Museum of Futures

Recently I've been interested in experimenting with Algorithmic Poetry. Last month I had my first poem published on the Poetry WTF?! website. It was based on Rudyard Kipling's If and used a set of simple rules to reconstruct a new poem using Google.

Algorithmic approach: Type line of original poem to seed search engine.
Stop typing before predictive line reverts to original.
Use the predicted line.
Do this for each line in original poem.

I'm really pleased that I will be exhibiting a new version of this work as a visual poem at the Museum of Futures in February 2017. I have once again taken If as my starting point and interestingly the algorithmic system has already created another variation despite only a month passing between Google searches. The new poem is called Goggle If and depicts all the search boxes that helped create it.

detail, Goggle If
Museum of Futures: Visual Poetry Exhibition
February 23rd to March 12th 2017
117 Brighton Rd, Surbiton KT6 5NJ
www.museumoffutures.org

Over two dozen poets and artists local or connected to the Surbiton or Kingston area, present brand new works especially made for this group exhibition. Exploring the visual and material properties of language through concrete poems, abstract painting, asemic writing and many other avant-garde techniques, this exhibition aims to bring together generations, and methodologies, through a shared engagement with the participants localism.

With new works from Imogen Abed / Ed Arantus / Tim Atkins / Adam Baron / Molly Bergin / Susie Campbell / Sarah Dawson / Thomas Duggan / SJ Fowler / Lucy Furlong / Penny Goring / Mark Harris / Megan Haycock / Imo Jeffes / Dean Kenning / Yessica Klein / Olga Kolesnikova / Julia Lewis / Dacy Lim / Hannah Lowe / Cleary Mallard / Raif Mansell / Matthew Navey / Albert Pellicer / Zoe Radford / Virna Teixeira / Simon Tyrrell with more to be announced.

Partnering with the Museum of Futures - a dynamic community arts space that has engaged Surbiton residents, families and businesses since 2015 and curated by The Community Brain CIC, the exhibition aims to showcase early career poets and artists alongside more experienced practitioners and build on the community, beginning new relationships and collaborations, that already surround this wonderful venue. The engagement with themes of suburbia, the Seething mythos and the humour so prevalent in the Museum of Futures enterprise will undoubtedly also influence the exhibition's aesthetic.

There will be an event to launch the exhibition: A night of collaborative poetry readings on February Thursday 23rd, full of newly commissioned collaborations readings
Curated by SJ Fowler with assistant curators Megan Haycock, Molly Bergin, Olga Kolesnikova, Dacy Lim and Matt Navey.


Sunday, 5 April 2015

Love Libraries - Streatham Postcard Exhibition

The aftermath of conversation - Ed Arantus
It's been a Wish You Were Here moment this month. With the girls off school I've been able to grab a few moments to enter some exhibitions again. I wont bore you with life stories nor the history which puts at this spot in time. Easter holidays always come at just the right time and a trip down to the seaside has inspired me to enter two new exhibitions.

Being part of the postcard sized 'A Book about Death' last year in Wales has given me the confidence to try both these new exhibitions. The Art of Caring is a large, 250 artworks, postcard exhibition at The Rose Theatre, Kingston-upon-Thames from 12th -16th May 2015. While the Love Libraries postcard exhibition is at Streatham Tate Library 63 Streatham High Road London SW16 1PN later this year. I chose the same image 'The aftermath of conversation' for both exhibitions.

Have a happy Easter,
Ed

Wednesday, 24 September 2014

Where's the Art CARU?

I've been having more time to work and to think since the girls have been growing up. Less picking up from school, less time to be pretending to be a princess and more time for my head and Mrs Arantus. Like many artists the ideas pop in and out, we roll them around and occasionally try them for size.

One of my ideas is being extracted from my brain for the exhibition, Where's the Art? with the Contemporary Arts Research Unit at Modern Art Oxford.

It is an imaginary work that is realised by the reader, the person who is willing to make that phone call in the usually pristine world of the white cube gallery. To sully it with your talk of late nights, forgotten washing and lewd revelations.

It is a free event, with tunes and I'm sure plenty of interesting peeps - 28th September, 7-10pm, 30 Pembroke Street, Oxford, OX1 1BP.

Ed.